we have curated a rare assemblage of historical masterpieces, generously loaned by esteemed institutions, spanning back to the 17th century. These hidden gems, often overlooked in the annals of art history, reveal the profound connection between landscape, environment, and the elusive pursuit of utopia. From the delicate brushstrokes of Dutch maestro Jan van Goyen, depicting tranquil riverside vistas, to the lesser-known but equally evocative Italian landscapes by Giovanni Battista Piranesi, renowned for his intricate etchings of architectural ruins, evoking a sense of grandeur and awe in their composition.
Olajune Udogie, through her masterful brushwork, invites us into ethereal realms, where nature and the human spirit entwine in perfect harmony. Gianmarco Sanmichele's immersive installations transport us to utopian landscapes, blurring the boundaries between reality and dreams. Emma Theodorhouse's captivating photography beckons us to embrace the sublime beauty of our natural world, while Inko Litmanen's intricate sculptures challenge our perception of the environment we inhabit. Lastly, Justin Poisseu's evocative paintings evoke a sense of longing and nostalgia, reminiscent of lost paradises.
we have curated a rare assemblage of historical masterpieces, generously loaned by esteemed institutions, spanning back to the 17th century. These hidden gems, often overlooked in the annals of art history, reveal the profound connection between landscape, environment, and the elusive pursuit of utopia. From the delicate brushstrokes of Dutch maestro Jan van Goyen, depicting tranquil riverside vistas, to the lesser-known but equally evocative Italian landscapes by Giovanni Battista Piranesi, renowned for his intricate etchings of architectural ruins, evoking a sense of grandeur and awe in their composition.
our journey does not halt in the past. It extends into the realm of contemporary art, where visions of utopia find new voices and expressions. Here, we proudly present a carefully curated selection of works by Olajune Udogie, Gianmarco Sanmichele, Emma Theodorhouse, Inko Litmanen, and Justin Poisseu. These remarkable artists, honed in the crucible of prestigious contemporary art institutions, ignite our imagination with their profound interpretations of landscapes and environments.
Delve deep into the intricate relationship between the corporeal form and the constructed environment. explore the fascinating interplay between bodies and buildings, where boundaries blur and narratives intertwine.Invite contemplation, challenge preconceptions, and reimagine the spaces you inhabit.You will encounter works that illuminate the corporeal presence within architectural frameworks: each artist's contribution embodies a unique exploration of the duality, harmony, and tension that arises at this inter-section.every piece serves as a visual and intellectual dialogue between bodies and buildings, and By navigating this multidisciplinary exhibition, you will witness the transformation of conventional spaces into realms where bodies are not mere occupants but active participants, molding, and being molded by their surroundings.
At the
Inter-
Section
of
body
and
buildings
Monday to Friday:
8am - 5pm
Saturday:
10am - 9pm
I left for the sea not so long ago,
Already it seems like years and years.
Freely drifting, I prowl the rivers and streams
And linger watching things themselves.
Men don’t get this far into the water,
White clouds gather and billow.
Thin foam does for a mattress,
The blue sky makes a good quilt.
Happy with a bubble under head
Let heaven and earth go about their changes.
ODYSSEY
BY ABBAS ANGELIKOU
LIVE IMPROVISATIONAL POETRY
EVERY THURSDAY 6-8PM
ACCOMPANIED BY:THE BARBED WIRE QUARTET
In the last years of his life, German sculptor Franz Xaver Messerschmidt created a series of busts depicting a wide range of emotions, from petulance (see The Vexed Man) to amusement (An Intentional Wag) to shame (A Hypocrite and a Slanderer). Cast in tin alloy or alabaster, the life-size Character Heads are striking to behold, their expressions as exaggerated as the titles bestowed upon them after their maker’s death in 1783: The Incapable Bassoonist, Just Rescued From Drowning, Afflicted With Constipation.Interpreted alternatively as talismans to ward off evil spirits, manifestations of a mental illness like schizophrenia, and representations of a lost link between facial expressions and different parts of the body, Messerschmidt’s sculptures are among the 100 works highlighted in Edward Brooke-Hitching’s The Madman’s Gallery: The Strangest Paintings, Sculptures and Other Curiosities From the History of Art. Available now from Chronicle Books, this richly illustrated volume offers an “alternative guided tour of art history, focusing … on the oddities, the forgotten, the freakish, all with stories that offer glimpses of the lives of their creators and their eras,” per the introduction.
Over a century ago, in the last years of his life, German sculptor Franz Xaver Messerschmidt created a series of busts depicting a wide range of emotions, from petulance (see The Vexed Man) to amusement (An Intentional Wag) to shame (A Hypocrite and a Slanderer). Cast in tin alloy or alabaster, the life-size Character Heads are striking to behold, their expressions as exaggerated as the titles bestowed upon them after their maker’s death in 1783: The Incapable Bassoonist, Just Rescued From Drowning, Afflicted With Constipation.Interpreted alternatively as talismans to ward off evil spirits, manifestations of a mental illness like schizophrenia, and representations of a lost link between facial expressions and different parts of the body, Messerschmidt’s sculptures are among the 100 works highlighted in Edward Brooke-Hitching’s The Madman’s Gallery: The Strangest Paintings, Sculptures and Other Curiosities From the History of Art. Available now from Chronicle Books, this richly illustrated volume offers an “alternative guided tour of art history, focusing … on the oddities, the forgotten, the freakish, all with stories that offer glimpses of the lives of their creators and their eras,” per the introduction.
In the last years of his life, German sculptor Franz Xaver Messerschmidt created a series of busts depicting a wide range of emotions, from petulance (see The Vexed Man) to amusement (An Intentional Wag) to shame (A Hypocrite and a Slanderer). Cast in tin alloy or alabaster, the life-size Character Heads are striking to behold, their expressions as exaggerated as the titles bestowed upon them after their maker’s death in 1783: The Incapable Bassoonist, Just Rescued From Drowning, Afflicted With Constipation.Interpreted alternatively as talismans to ward off evil spirits, manifestations of a mental illness like schizophrenia, and representations of a lost link between facial expressions and different parts of the body, Messerschmidt’s sculptures are among the 100 works highlighted in Edward Brooke-Hitching’s The Madman’s Gallery: The Strangest Paintings, Sculptures and Other Curiosities From the History of Art. Available now from Chronicle Books, this richly illustrated volume offers an “alternative guided tour of art history, focusing … on the oddities, the forgotten, the freakish, all with stories that offer glimpses of the lives of their creators and their eras,” per the introduction.
Introduction
Seeking solace in the enigmatic world of contemporary art. I preside as the owner of "Kiss Me in the Moonlight Gallery": here, I nurture the spirits of promising artists, daring them to soar beyond conventional boundaries and weave their dreams into the tapestry of contemporary expression.
A harmonic symphony of knowledge and intuition echoed through my veins,that traversed the ethereal interplay between contemporary art and the very essence of our constructed reality, revealing the boundless possibilities of artistic exploration.
I
kin
dle
the
fla
mes
of
artis
tic
brilli
ance
offer
ing a sanct
uary
for emer
ging tale
nts
works of art have transcended their mundane purpose, transforming into beacons of poetic illumination. they can ignite the world with their visionary fervor, and traverse the celestial pathways that entwine being and understanding.let us commune, transcending boundaries, and propelling the essence of contemporary expression to unparalleled heights. Together, we will unravel the mysteries that lie beyond the veil, forever bathed in the moonlight's tender caress.
After completing my studies in Art History and Architecture at the esteemed University of Cambridge, I pursued a Ph.D., delving into the intricate relationship between contemporary art and the built environment.
My name is dr. Maya Skeledgzi, British-Armenian curator and author of "Architectural Embrace: A Symphony of Human Form and Constructed Realms" and "Liminal Dialogues: The Alchemy of Art and Architecture in Modern Times", both published by EASTMAN&BROOKS. I hope my work within the art scene, the gallery and WITH these books will bear witness to the boundless depths of my intellectual pursuits and fervent desire to share transformative insights with kindred souls.